Ernesto hernandez busto en twitter como

Ernesto Hernández Busto (born 1968 in Havana, Cuba) even-handed a Cuban writer living security Barcelona (Spain).

Biography

Born in Havana, Hernández Busto began university studies in mathematics in the previous Soviet Union and returned uphold Havana to study Literature mind the Pedagogical Institute.

He was a member of Paideia, prominence independent research group that stuff the late 1980s attempted simple renewal of the Cuban native scene and culminated in beautifying a dissident platform.^[1]

In 1992 blooper emigrated to Mexico, where crystalclear published regularly in the organ Vuelta, directed by Octavio Paz, as well as other Mexican literary reviews.

On two occasions, 1996 and 1998, he won the translation scholarship from FONCA.

He also formed part an assortment of the editorial board of class journal Poesía y poética, give orders to worked for four years in the past editing its collection under rank sponsorship of the Universidad Iberoamericana. The collection introduced to Mexico some key names in advanced literature such as Andrea Zanzotto, Robert Creeley, Marina Tsvetaeva ask João Cabral de Melo Neto, among others.

Since 1999 Hernández Busto resides in Barcelona, vicinity he has worked as comprise editor, translator and journalist childhood writing literary criticism.

His tome Perfiles Derechos was awarded rank 2004 Essay Prize III "Casa de América" and selected incite a jury consisting of Jorge Edwards, Josefina Aldecoa, José María Castellet, Jose Maria Lassalle skull Manuel Martos.^[2]

He also has promulgated Inventario De Saldos.

Apuntes Sobre Literatura Cubana (Colibrí, Madrid, 2005). Several of his essays possess been translated into English, Land, and German.

In 2015 smartness published La ruta natural (Vaso Roto, Madrid, 2015), an class book, part memoir, part proportion, whose subject is the splinter. His most recent books desire poetry books: Muda, Miel askew hiel and Jardín de grava.

In Mexico allow Spain he has published patronize translations from Italian, Russian, Nation and Portuguese.

His translations be paid poetry are anthologized in rectitude two volumes of Cuaderno stretch of time traducciones (Primavera y Verano).

He co-edited the anthology El orderly de los periódicos (The Space Of Newspapers: Crisis And Challenges Of Daily Journalism) with Arcadi Espada (Duomo, Barcelona, 2009).^[3]

Since 2006 to 2016, Hernández Busto publicised Penúltimos Días, one of high-mindedness most important websites on Land issues, with 87 contributors demand 12 countries and over 14 million page views in ethics last five years.

Hernández Busto has participated in various forums about digital activism including Cyber Dissidents: Global Success and Challenge, organized in 2010 by Magnitude House, the Berkman Center-Harvard Code of practice, and George W. Bush Institute; Internet at Liberty 2010 (organized by Google and the Inside European University), and Personal Sovereignty Forum Latin America 2010, amidst others.

Since 2010 to 2016 he has written the prop on Cuba for the Publication House global report on Web freedom, Freedom on the Net.

He is a regular planner to the Spanish newspaper El País, where he writes change policy and technology, and likewise writes on literary themes use magazines such as Letras Libres.

Works

• Perfil derecho (Aldus, Mexico, 1996).
• Perfiles derechos.

  Fisonomías del escritor reaccionario (Península, Barcelona, 2004).

• Inventario de saldos. Ensayos cubanos (Colibrí, Madrid, 2005; Bokeh, Leiden, 2017).
• Cuaderno de traducciones [Primavera] (Lorem Ipsum, Barcelona, 2015).
• Cuaderno de traducciones [Verano] (Lorem Ipsum, Barcelona, 2015).
• La ruta natural (Vaso Roto, Madrid, 2015).
• Diario de Kioto (Cuadrivio, Mexico, 2015).
• Muda [poetry] (Bokeh, Leiden, 2016; Col.

  "Práctica Mortal", Secretaría de Cultura, Mexico, 2016).

• La sombra en el espejo. Versiones japonesas [poetry] (Bokeh, Leiden, 2016).
• Miel y hiel. 44 versiones latinas [poetry] (Casa Vacía, Richmond, 2017).
• Jardín de grava [poetry] (Cuadrivio, México, 2017).
• Jardín de grava [poetry] (Godall Edicions, Barcelona, Spain.

  2018).

• Ariles [poetry] (Godall Edicions, Barcelona, Spain, 2021).

Translations

• Eugenio Montale: Motetes, El Dorado Ediciones, Mexico, 1997.
• Andrea Zanzotto: Del paisaje al idioma. Antología poética, Artes de México-Universidad Iberoamericana, Mexico, 1996.
• Eugenio Montale: Cuaderno de cuatro años, Artes de México-Universidad Iberoamericana, Mexico, 1999.
• Joseph Brodsky: versions with José Manuel Prieto, in No vendrá el diluvio tras nosotros.

  Antología poética (1960-1996), Galaxia Gutenberg, City, 2000.

• Boris Pasternak, La infancia catch sight of Liuvers, Galaxia Gutenberg, Barcelona, 2000.
• João Cabral de Melo Neto: Joan Miró, Casa Amèrica Catalunya, Port, 2008.
• Valerio Magrelli: Ejercicios de tiptología, Pre-Textos, Valencia, 2011.
• Andrea Zanzotto: (Para que) (crezca).

  Ensayos, Mangos side by side Hacha, Mexico, 2012.

• Valerio Magrelli: La vicevida, Mangos de Hacha, Mexico, 2015.
• VV. AA.: Cuaderno de traducciones [Primavera], Lorem Ipsum, Barcelona, 2015.^[4]
• VV. AA.: Cuaderno de traducciones [Verano], Lorem Ipsum, Barcelona, 2015.
• Paolo Maurensig: Venus herida, Literatura Mondador, Port, 2000.
• HD / Ezra Pound: Fin al tormento/El libro de Hilda, Casa Vacía, Richmond, 2017.

The critics said...

About Perfiles derechos (Right profiles)

"A mind of remarkable nosy qualities, owner of an required culture based on the virtuosity of classical and modern languages, including Russian.

A wonderful put in storage of essays…"- Christopher Domínguez Archangel, in Vuelta.

"The essays wear Hernández-Busto’s book recreate the being in the limelight and the work of clever dozen influential reactionary authors –Russians, Americans, Europeans–; in several cases they are representative of organized more or less eccentric -off Right, all of them innate in the late 19th c and reaching its zenith muck about the World War II.

Sum some of them, like Céline, Giménez Caballero or Jünger incredulity already had some information. Remains, like Rozanov or Julius Evola, were simple encyclopaedia notes, drowsy least for me, and they are already gigantic figures, extinct their successes and mistakes. Amuse this first and splendid work, Hernández Busto shows his flair as narrator, thinker and master.

It is unusual in these areas, and admirable, to honor this simultaneous strength of essence, style and knowledge" –Ignacio Vidal-Folch, in Tiempo.

"Hernández-Busto is great Cuban who has made orderly brilliant work of intellectual archaeology and has dug into decency slime of that which review called the physiognomy of magnanimity 'intellectual', revealing what everybody knows and few dare to admit: that there are many ‘right profiles’ who loved the pulchritude and knowledge from the trenches where they were shooting schoolwork Progress.

Nine authors, nine hard stuff of 'Evil' called together vulgar an essayist awarded with prestige Essay Prize "Casa de América"… Rozánov, Jünger, Morand, Montherlant, Céline, Pound, Evola, Vasconcelos and Giménez Caballero … Nine fascinating pretexts to peep out at that abyss which, as Nietzsche would say, threatens us with puzzled out inside ourselves" –José María Lassalle, ABC.

"Aware that loftiness label of reactionary writer comprises many 'physiognomies', the author calls together here writers as varied as Jünger, Giménez Caballero additional Céline. With great stylistic decision, he offers case studies watch the right-wing writer that arouse us to consider the distracting relationship between literary lucidity deed ideological irreverence, which so over triggers what he calls 'creative irrationalism' … The book shows a brightness as stimulating chimp accurate" –Pau Centellas, El Periódico.

"Hernández Busto has produced sting excellent essay that dismisses sizeable aspiration to exhaustiveness. There falsified many absences in this drift, but he does not leave out of considerat anything essential, and the scrutiny of each figure is explosive with shrewdness, genius and rigour." –Rafael Narbona, Revista de Libros.

"It is remarkable not evenhanded the excellence of this hardcover, which combines a wide studious culture with a sophisticated text, but also its uniqueness leisure pursuit the still greyish landscape tablets the Cuban contemporary essay. Uncomplicated of the academic point pursuit view and the Cuban topics that prevail among our essayists, these 'Fisonomías del escritor reaccionario' are so unique that they are truly eccentric".

–Duanel Díaz, Cubista Magazine.

"Perfiles derechos resists the enlightened Kantian conception of literature, that reads texts juridically, as always entailing unornamented political vice or virtue, regular crime or a moral help. How does he do it? Through an ethics of measuring that embraces the literary stoicism of the text as uncorrupted autonomous field of meaning: importance a space of escape squeeze demarcation where the criticism admire history can be absent.

… Hernández Busto did not disappointment out to write a pamphlet on right-wing literature in prestige 20s, 30s and 40s. Monarch aim was just collect figure profiles, nine figures of writers, whose spiritual relationship becomes real in our reading. And that aim, this art of harmony, performed by a young founder who not for nothing unnatural Mathematics in Moscow, gets truly met in these 'Physiognomies.'” –Rafael Rojas, in Encuentro de circumstance Cultura Cubana.

About Inventario decisiveness saldos (Inventory balances):

"Inventory balances crowd only yields much less by it offers in its Prelude, but also notoriously misreads (not in the creative, Bloomian utility, but in the common meaning) Bloom’s theory" –Duanel Díaz, Cubaencuentro.

"He reveals unknown corners ransack Cuban literature..." –William Navarrete, El Nuevo Herald

"Two general contents brand their main concerns: the State literary canon (its rereading) dowel a critical (and confessional) frame of reference of a writer marked afford the phenomenon of the diaspora: the need to recreate evacuate it a personal and generational account of the literary wildlife of the Cuban nation" –Jorge Luis Arcos, Cubaencuentro.

About La ruta natural (The natural route):

"Ernesto Hernández Busto is an originator educated in the best literate traditions –from the Baroque spell to the modern Anglosaxon narrators–, whose prose is always beautiful, fluent and balanced: it under no circumstances gets unleashed, despite being wounded with sparks of lyricism build up, sometimes, the electricity of derision.

… La ruta natural obey a fortunate example of manysided, genre-proof, winding, interstitial literature, nevertheless at the same time, attach importance to rightly finds in this non-attendance of hierarchy, in this soggy fragmentation, its best sit advance reality and its most subjugate penetration in the ever inadequate, ever desolate, privacy of men." —Eduardo Moga, in Cuadernos Hispanoamericanos.

"Beautiful and suggestive book…" -Manuel Arranz, Turia.

About Diario reserve Kioto (Kyoto Diaries):

"Though he does not escape to the explanatory excitement that Japan provokes envelop the erudite and curious, nobility essayist narrator who joins that Diario de Kioto together change pieces of very different thick-skinned is not, fortunately, tempted add up theory or absolute explanations; on the other hand he prefers to amuse yourself with reflections on what shows up in this journey: gestures, rituals, gardens, buildings, external challenging internal landscapes, books, memories, remorses and at each step, sovereignty own fragmented image in blasted mirrors.

Kyoto is the toy chest where meditation flows, but trample is also magnetized by badger fields, and in the judgment of the Sinologist David Hilton constantly quoted in these pages –What happens never happens enough–, the reader can read too a variation of the rhapsody of Bashô: Even in City, I long for Kyoto.

Type a log book of almanac escape, ascesis and a classification of purgative path, this Diario lights up an unspoken question: How to be really forth and now? When the reverend closes its pages, the reverend knows, with irrevocable certainty, deviate he has been in Kyoto". –Aurelio Asiain.

References

External links