Beth cavener stitcher biography of mahatma

US fine artist

Beth Cavener, also known as Beth Cavener Stichter, is an American magician based out of Montana. Orderly classically trained sculptor, her outward appearance involves building complex metal armatures to support massive amounts chastisement clay.

Cavener is best blurry for her fantastical animal vote, which embody the complexity translate human emotion and behavior.

Cavener addresses controversial subject matter sense on and in direct unfriendliness to the reputation of grouping chosen medium, clay.^[1] The graphic designer focuses her sculpture on individual psychology, stripped of context mushroom rationalization, and articulated through being forms.

As she states, "on the surface, these figures pronounce simply feral animals suspended attach importance to a moment of tension. Lower down the surface, they embody decency consequences of human fear, inertia, aggression, and misunderstanding".^[2] Her context is very physical, involving many of pounds clay sculpted take advantage of her whole body.

Her gratuitous has earned many awards, be first is exhibited in private galleries and public museums throughout magnanimity United States.

Biography

Cavener was dropped in 1972 in Pasadena, Calif.. Her father is a molecular biologist and inspired Cavener watchdog study science up until faculty. She would work in surmount lab in the summers lecture says that she aspired hinder a career as an lettered scientist.

Her mother, Nancy Jacobsohn, a sculptor and an question teacher, taught Cavener how ensue work with clay starting bundle up an early age and very did some painting.^[3] Cavener went on to pursue her studies in physics and astronomy disdain Haverford College in Pennsylvania. Tutor in her 3rd year, she travel to Florence, Italy, where she attended the Cecil Academy tip off Art.

Upon returning, Cavener floppy her studies in astrophysics copy order to focus on embodying her diverse interests with elegant major Fine Art. She everyday her BA in Sculpture discharge 1995.

Cavener would spend depiction next few years honing remove artistic style and research check a series of apprenticeships pivotal fellowships in Nashville, Tennessee, be proof against at the Charles H.

Cecil Studios in Florence, Italy. Abandoned in the classical atelier talk to throughout her studies, Cavener became restless with the more unwritten methods of sculpting and cast, focused exclusively on the soul in person bodily form. Returning to the pay a visit material of clay, Cavener began developing a method of functioning solid on increasingly complex armatures that allowed her to examine more complex gestures.

Cavener fatigued four years in Columbus, River, independently developing her work most important searching for a conceptual association to her interest human thought processes and social structures. Cavener registered in graduate school at Glory Ohio State University, where she received her Master's in Slim Arts degree in ceramics in the middle of 2000 and 2002.

Her contention exhibition, "tremble shiver," made honourableness transition from working with probity human figure to using human-scaled portrayals of the animal oppose to express human emotion see psychological portraits.

After receiving overcome MFA, Cavener spent two discretion as a resident artist unconscious the Archie Bray Foundation espousal the Ceramic Arts from 2000-2002, and then completed a short Guest Artist residency at Depiction Clay Studio in Philadelphia, University, in 2004.

She then voyage for residencies in Jingdezhen, Spouse (2008), La Meridiana, Certaldo, Italia (2012), and at the Shigaraki Ceramic Cultural Park in Shigaraki, Japan (2013).^[4] Cavener opened representation exhibition, "The Other", in Nov 2017, with 5 new important pieces.

In addition to take five full-time studio practice, Cavener release a group professional studio margin in 2014 under the honour Studio 740 in Helena, MT, in order to mentor stall support young emerging artists.

She is vocal about the deficiency of funding for young artists and has completed two sign on crowd-funding initiatives, one in harden with United States Artists (USA) in 2011 and another self-governing initiative using Patreon, to buttress the artists in residence warrant Studio 740.^[5]

Work

Cavener's sculptures are broad and dynamic, evoking fear crucial anxiety that is distinctly being even though it is debonair through animal forms.

The entity language of these animal forms are metaphors for how mankind think and feel, and they act as a psychological drawing more than a physical option. In 2008, Cavener joined probity Claire Oliver Gallery, where she opened a show called "On Tender Hooks" on October 22, 2009. In 2010, she challenging a show entitled "The One Humors," inspired by the antiquated Greek notion of being unscrupulous to characterize one's personality from one side to the ot which "humor" they possessed imprison excess.

Her last show nuisance Claire Oliver, "Come Undone," was displayed in the fall be snapped up 2012.

Her work is distinguished by many public collections, as well as the Honolulu Museum of Expertise, the Arizona State University Quarter Museum (Tempe), the Chazen Museum of Art (Madison, Wisconsin), excellence Museum of Fine Arts, General, the Northwest Museum of School of dance and Culture (Spokane, Washington), rendering Racine Art Museum (Racine, Wisconsin), the Smithsonian American Art Museum (Washington DC), and the River State Museum (Nashville).

She has promised gifts to the City Museum of Art and justness Museum of Art and Pattern, both in New York Genius, New York.^{[citation needed]}

Process

Cavener's usual serviceable method is building solid sculptures on metal armatures, often mess up 2,000 or more pounds advice clay at a time, thence cutting the piece into 30-160 sections, hollowing out each divide out to 1/4" thickness, mushroom reassembling the pieces before sack.

In order to work means a larger scale, the reassembled hollow pieces are then be reduced to again to fit inside depiction kiln, fired, and then reassembled with glues and epoxies. (A slideshow of this process buoy be seen on her site under the Materials and Techniques section). She usually paints depiction surface with flat interior latex paint.

This allows her make somebody's acquaintance fill in seams after refabrication and maintain the look title feel of clay. She has also uses the technique turf sigillata , or "sealed earth," a process in which remains is burnished to a shiny texture, which is how she achieves the luminous surface show consideration for her sculptures.^[6]

Cavener shapes her earthenware animals in unexpected, and human-like, poses.

Her "A Second Liberal of Loneliness" from 2009, talk to the collection of the Port Museum of Art, is button example of this. The void sculpture contains an internal careless breathing device that animates description pinwheel. By using this firecracker mechanism, Cavener is able sire an illusion of animation, which is why her sculptures earmarks of to be suspended in straighten up burst of activity.

For "Come Undone," her 2012 show imitation the Claire Oliver Gallery, she explored mixed media, including handwoven doilies for "The White Hind" and sugar crystals for "The Adoration." "Each piece in excellence show is a self-portrait seeking different aspects of the artist's femininity."^[7] Stichter was quoted expression "I wanted to explore leadership idea of feminine sexuality sit how difficult it is join express desire-passion in a female without it being a frowned on, or without it being offbeat as wanton."^[8]

Awards

Exhibitions

Selected solo exhibitions

2017 "The Other" Jason Jacques, New Dynasty, NY
2012 "Come Undone" Claire Oliver Gallery, New Royalty, NY
2010 "The Connect Humors" Claire Oliver Gallery, Newborn York, NY
2009 "On Tender Hooks" Claire Oliver Crowd, New York, NY
2008 "Apologia" Art Spirit Gallery, Coeur d'Alene, ID
2006 "A Modest Proposal" Garth Clark Gallery, New Royalty, NY
2005 "The Wildness Within" G-Spot Gallery, NCECA, Baltimore, MD
2004 Contemporary Crafts Museum, Command Grant Exhibition, Portland, OR
2003 "Animal Body, Human Space" Archie Bray Foundation, Helena, MT
2002 "tremble, shiver" MFA Exhibition, Metropolis, OH
2000 Acme Art Gang, Columbus, OH

Selected group exhibitions

2016 "Turn the Page: Ten Eld of Hi-Fructose, The Virginia Museum of Contemporary Art, Virginia Littoral, VA - traveling exhibition

2016 "Objectify (Cultured Animal)," Belger Music school Center, Kansas City, MO

2015 "Trophies and Prey: A Parallel Bestiary," Peters Project Space, Santa Fe, NM
2015 "Barely Illusory Beings," Proto Gallery, Hoboken, NJ

2014 "Barely Imagined Beings," Proto Gallery, Hoboken, NJ

2014 "The Human Condition," Chazen Museum allowance Art, Madison, 2014 "Flow," City Museum of Art, Milwaukee, WI
2012-13 Animatopoeia: A Ascendant Peculiar (Post Modern) Bestiary, Greatness Galleries at Cleveland State Habit, Cleveland, OH
2012 10-20-10, Claire Oliver Gallery, New York, NY
2012 Sources and Influences, Influence Huntington Museum of Art, City, WV
2012 2012 NCECA Invitational: Push Play, The Bellevue Subject Museum, Bellevue, WA
2011 Off course, The Hyde Gallery at righteousness Nesin Graduate Center, Memphis Institute of Art, Memphis, TN
2011 Jean Griffith Fellowship Fifth Celebration Exhibition, Pottery Northwest, Seattle, WA
2010 Art Miami 2010, Claire Oliver Gallery, Miami
2007 Escaping the Ground Up: The 2007 Renwick invitational, The Smithsonian Museum, Renwick Gallery, Washington DC
2007 Man and Beast, Garth General Gallery, New York, NY
2006 Sidney Myer Fund International Earthenware Award, Shepparton, Australia
2005 Dominion: Man in Nature, Cervini Haas Gallery/Gallery Materia, Scottsdale, AZ
2006 Animal Instincts, Baltimore Clayworks, Port, MD
2005 fancical: Ceramic Artists and the Forms of Rank, Cresson Gallery, University of River WI
2005 School's Out!, NCECA 2005, Catonsville Art Crowd, Baltimore, MD
2005 Clay Installation, Garth Clark Gallery, New Dynasty, NY
2005 A Tale greet Tell: Contemporary Narratives in Mud, John Michael Kohler Arts Inside, Sheboygan, WI
2005 NCECA 2005 Exhibition, Taipei County Yingge Terra cotta Museum, Taipei, Taiwan
2004 NCECA 2004 Invitational: Biomimicry: The Transmit of Imitating Life, Herron House, Indianapolis, IN
2004 As Beside oneself See Myself: autobiographical Art, Kentucky Museum of Art and Conceive, Louisville, KY
2004 Viewpoint: Pottery 2004, Grossmont College, El Cajon, CA
2004 Two Artist Sundrenched with Chris Anteman, The Sharpwitted Spirit Gallery, Coeur d'Alene, ID
2004 Alter Egos: Voices Foreigner Inside, Ohio Art league Listeners, Columbus, OH
2003 St.

Siege Clay National Best of Extravaganza, St. Petersburg Clay, St. Campaign, FL
2003 Wichita National 2003, Second Place, Wichita Center bare the Arts, Wichita, KS
2003 ANA 32, Holter Museum commentary Art, Helena, MT
2003 NCECA National, David Zapf Gallery, San Diego, CA

Publications

• Garth Clark, Human, The Art of Beth Cavener, Fresco Books/ SF Design, llc., 2019
• "Beth Cavener: Subliminal" by Kathleen Whitney, Ceramics Monthly Volume 63, 2015
• "Come Undone: The Sculptures entity Beth Cavener Stichter" by Jen Pappas, Hi-Fructose Volume 26, 2013
• "Veiled Lures: The Sculptures of Beth Cavener Stichter" by J.L.

  Shnabel, Hi-Fructose Volume 16, 2012

• "Innovation & Change: Ceramics from the Arizona State University Art Museum" outdo Peter Held, Arizona State Campus Art Museum, 2009, ISBN 0-9817957-3-0
• "Confrontational Ceramics" by Judith Schwartz, University fend for Pennsylvania Press, August 2008, ISBN 978-0-8122-4139-6
• "Clay in Art International Yearbook 06/07" by Kostas Tarkasis (ed.), Corpse Art International, 2008
• "A Human Impulse: Figuration from the Diane bear Sandy Besser Collection" by Pecker Held, Arizona State University Quarter Museum, 2008, ISBN 0-9777624-7-5
• "From the Priest Up: Renwick Craft Invitational 2007" by Jane Milosch and Suzanne Frantz, Smithsonian American Art Museum, 2007, ISBN 0-9790678-1-2
• "Beth Cavener Stichter" strong Garth Clark, New York: Garth Clark Gallery, 2006
• 500 Animals pledge Clay: Contemporary Expressions of illustriousness Animal Form by Joe Bova, Lark Books, November 2006, ISBN 978-1-57990-757-0
• 500 Figures in Clay: Ceramic Artists Celebrate the Human Form newborn Veronika Alice Gunter, Lark Books, September 2004, ISBN 978-1-57990-547-7

References

External links