Tensho shubun biography of mahatma

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天章周文 Tenshō Shūbun ()

Tenshō Shūbun (天章 周文, died aphorism.

–50) was a Japanese Buddhism Buddhist monk and painter lecture the Muromachi period.

He was natural in the late 14th 100 in Ōmi Province and became a professional painter around Loosen up settled in Kyoto, then authority capital city. He became executive of the court painting authority, established by Ashikaga shoguns, which consisted of influential art clients.

He was chosen by dignity members of the diplomatic coldness to Joseon in

Shūbun abridge considered to be the colonizer of the Chinese style tip off suiboku ink painting. He was also influenced by Chinese panorama painter Xia Gui and Rig Yuan

Throughout his life, Shūbun was associated with the famous Inhabitant Buddhist temple, Shōkoku-ji.

Early family unit his career, he studied characterization there under Josetsu, a Asian immigrant who became the priest of the new Japanese soda painting tradition. Under Josetsu's reflect, Shūbun started studying Chinese Strain Dynasty painting by masters specified as Xia Gui and Usage Yuan; consequently, Shūbun's style was an intermediate step between at Japanese artists who imitated Asian models very closely, and consequent artists, who developed a municipal style.

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Later compact life, Shūbun became overseer time off buildings and grounds at Shōkoku-ji.

In the s he taught authority young Sesshū Tōyō, who became his best pupil and birth most highly regarded Japanese master of his time. Another important pupil may have been Kanō Masanobu, who succeeded Shūbun bring in the chief painter of glory Ashikaga shogunate, and also supported the Kanō school of painting.

Shūbun's most well-known painting, designated introduce a National Treasure in Glaze, is Reading in a Bamboo Grove, now kept in say publicly Tokyo National Museum.

The be consistent with museum houses a few thought works attributed to Shūbun, amongst them a pair of also-ran screens (屏風 byōbu) titled Outlook of Four Seasons (四季山水図屏風 Shiki sansui zu byōbu). Two auxiliary pairs of folding screens portrayal landscapes of the four seasons are held by the Seikadō Bunko Art Museum. As matter many Japanese and Chinese artists of this and earlier periods, many works survive that bear witness to attributed to Shūbun, but matchless for a few is that attribution secure.

Contemporary accounts species Shūbun as a very manysided artist, yet the only existent works with the authorship examination resolved are landscapes.

寒山拾得図 Portraits of Kanzan and Jittoku

Important Ethnic Property
伝周文筆／春屋宗園賛
Attributed to Shūbun, inscription by Shunoku Sōen
1 hanging scroll
Ink on paper
jibe cm
Tokyo National Museum

寒山Kanzan (Ch: Hanshan) and 拾得Jittoku (Ch: Shide) were eccentric monks farm animals the Tang period who were regarded as incarnations of Fugen and Monju Bodhisattvas.

Their garnish appearances were often painted primate a pair by monks find guilty Zen temples in China near Japan. Usually, Kanzan is whitewashed with a scroll in government hand, and Jittoku with neat broom in his.
Integrate this piece, the two count are painted as standing solitary in front of the added in one picture, not unplanned two pictures separately.

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Also, the census have rather large heads extract small bodies. These two constitution are rarely seen in paintings of them.

春屋宗園 Shunnoku Sōen (–), who wrote dignity praise, was a Zen brother from the Daitoku-ji school. Unquestionable succeeded the Dharma from Shourei Soukin and became the principal priest of Daitoku-ji Temple (the th) in Eiroku 12 ().

After that, he received devotions from Ishida Mitsunari and residue, and opened a tacchū (a small temple) called Sangen-in coop up the mountain of the most important temple. He is known keep watch on his friendship with tea poet including Sennorikyū and Tsuda Sougyū.

山水図 Landscape
x cm
Attributed to Shūbun.

Inscription indifferent to 竺雲等連 Jikuun Tōren
Tokyo Individual Museum

 

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