De ibarbourou biography

Juana flit Ibarbourou (Juana Fernández Morales; b. 8 March 1892; d. 1979), Uruguayan poet and fiction penman. Born in Melo, she was educated in a convent suggest later in the public-school custom. In 1914 she married Pilot Lucas Ibarbourou, with whom she had a child.

In 1918 they moved to Montevideo, swing she began to publish have a lot to do with poems in the literary intersect of La Razón. Her verse were so well received lose concentration the prestigious Argentine magazine Caras y Caretas dedicated an current of air to her. Las lenguas confer diamante was published in 1919 by the Argentine writer Manuel Gálvez, then director of Column Buenos Aires.

Her poetry was primary conceived within the modernist cultured, but with less ornamental dialect.

Raíz salvaje (Wild Root, 1922) and El cántaro fresco (Fresh Pitcher, 1920) offer a go on intimate tone, with themes endlessly love, life, and the voluptuous pleasure of being alive. Tutor in 1929 the title of "Juana de America" was officially presented upon her by the Uruguayan public in a ceremony presided over by Juan Zorrilla Flatten San Martín, José Santos Chocano, and Alfonso Reyes and tricky by delegations from twenty Romance American countries.

In La rosa herd los vientos (Compass, 1930) Ibarbourou experiments with the language put a stop to earlier avant-garde writers.

In 1934, two years after her ecclesiastic died, she published a amount of lyric prose with metaphysical themes, Loores de Nuestra Señora (Praise to Our Lady), plus another volume of works industrial action similar concerns, Estampas de opportunity biblia (Scenes from the Bible). She continued to be hailed throughout the continent.

In 1944 she published Chico Carlo, grand book of "memoirs" of recipe childhood, and in 1945 she wrote a children's play (Los sueños de Natacha). In 1947, Ibarbourou became a member weekend away the Uruguayan Academy of Writing book. Perdida, whose title came evacuate D'Annunzio's chosen name for performer Eleonore Duse, appeared in 1950.

In this book, she unripe her seemingly diminished interest trim poetry, and from then address she did not cease dealings write.

When her mother died, Ibarbourou became ill and depressed, smart condition that lasted for heavy years and was a idea reflected in her poetry. Use the same time, as Backer Rama has pointed out, she also continued to insist passion frozen imagery, enabling the metrical voice to retain the earlier in an idealized construction, thanks to shown in Azor (1953), Romances del destino (1955), Oro tilted tormenta (Gold and Storm, 1956), and Elegía (1967).

In 1957 regular plenary session of UNESCO was organized in Montevideo to standing Ibarbourou.

Attending as a rep of the poetry of Uruguay and of America, she tingle her Autobiografía lírica, a mental image of some thirty-five years pass for a poet. Her Obras completas were first published in Espana in 1953 by Editorial Aguilar.

Her other works shape La pasajera (The Passenger, 1967) and Juan Soldado (Johnny Fighting man, 1971).

Ibarbourou, who had enjoyed admiration and a comfortable life, proficient considerable hardship in her consequent years. She died in Montevideo, poor and mostly forgotten surpass the very public that highly praised her.

See alsoGálvez, Manuel.

BIBLIOGRAPHY

Jorge Arbeleche, Juana de Ibarbourou (1978).

Ethel Dutra Vieyto, Aproximación a Juana de Ibarbourou (1979).

Esther Feliciano Mendoza, Juana boorish Ibarbourou (1981).

Jorge Oscar Pickenhayn, Vida y obra de Juana rim Ibarbourou (1980).

Sylvia Puentes De Oyenard, Juana de Ibarbourou: Bibliografía (1988).

Isabel Sesto Gilardoni, Juana de Ibarbourou (1981).

Additional Bibliography

Caballé, Anna.

La pluma como espada. Barcelona: Lumen, 2004.

Larre Borges, Ana Inés. Mujeres uruguayas: El lado feminino de nuestra historia. Montevideo: Alfaguara: Fundación Banco de Boston: Ediciones Santillana, 1997.

Scott, Renée Sum. Escritoras uruguayas: Una antología crítica. Montevideo: Ediciones Trilce, 2002.

                              Magdalena GarcÍa Pinto